A nude drawing that bears a striking resemblance to the "Mona Lisa" was done in Leonardo da Vinci's studio and may be the work of the master himself, a French museum said Monday. Experts at the Louvre in Paris, where the world's biggest collection of Leonardo's work is held, have been examining a charcoal drawing known as the "Monna Vanna" which has long been attributed to the Renaissance painter's studio. But the charcoal preparatory work for a painting of a semi-nude woman, held at the Conde Museum at Chantilly north of Paris, may now have to be reclassified. The large drawing has been held since in the huge collection of Renaissance art at the Conde Museum, once the home of one of France's oldest noble families. Microscopic examinations have shown that it was drawn from the top left towards the bottom right, the curator said -- which points to a left-handed artist. The drawing will be shown at a special exhibition at Chantilly later this year to mark the th anniversary of the death of the artistic genius, who was born in the Medici-ruled Republic of Florence in
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A charcoal drawing of a nude woman, which may have been sketched in part by Leonardo da Vinci, bears a striking resemblance to the Mona Lisa, experts have said. The large drawing has been held since in the huge collection of Renaissance art at the Conde Museum in the palace of Chantilly, north of the French capital. Analyse de la Joconde nue au c2rmf avec Bruno Mottin, conservateur du c2rmf et mathieudeldicqu conservateur du chantillydomain pic. The drawing is almost the same size as the Mona Lisa, and small holes pierced around the figure point to the fact it may have been used to trace its form onto a canvas, he argued. Tests, he told the Parisien newspaper, had already revealed it was not a copy of a lost original. Leonardo drew with his left hand. More than 10 experts have been poring over the drawing for the past few weeks, using a variety of scans and other scientific methods.
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Bolero Ozon. First he was a goldsmith, then a painter and sculptor: as a painter, representative of the very scientific school of draughtsmanship; more famous as a sculptor, being the creator of the Colleoni statue at Venice, Leonardo was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment. He was well grounded in the sciences and mathematics of the day, as well as a gifted musician. His skill in draughtsmanship was extraordinary; shown by his numerous drawings as well as by his comparatively few paintings.
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