John Cameron Mitchell got his hands on a copy of How to Talk to Girls at Parties , a short story written by British science-fiction author Neil Gaiman , and much like the infectious extraterrestrial organisms that lead the film, it grew on him. While science fiction has not been the defining genre of the films that make up John Cameron Mitchell's filmography, How to Talk to Girls at Parties does have one thing in common with the rest of his oeuvre: It unveils and analyzes the members of a subculture. In How to Talk to Girls at Parties , the year is and punk has just exploded onto the scene for Alex Sharp's Enn, a somewhat dorky wannabe punk who is obsessed with creating his own zine and sticking it to supporters of conformity. After attending a raucous punk show hosted by Nicole Kidman 's Labyrinth -esque Queen Boadicea at a divey venue in the London suburb of Croydon, Enn and his friends stumble upon an eccentric family of humanlike aliens, one of which is played by a curious Elle Fanning. Mitchell is a master at telling stories that open up space for the freaks, the outsiders, the aliens , to feel welcome in a community of like-minded individuals. From Hedwig and the Angry Inch , the rock musical—turned—film written by, directed by, and starring Mitchell as the titular character, a trans woman from East Germany who moves to Kansas with her American soldier husband, to Shortbus , another film written and directed by Mitchell that interweaves vignettes about members of an underground sex gathering in New York the film was notable for its depiction of actual sex between actors on screen , Mitchell has demonstrated his knack for outlining the frameworks that construct queer, subcultural, or inadequately represented communities.
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